What’s your News Years resolution? To read more books, of course! But where to start? Why not with our bestsellers? For your perusal, we’ve put together a list of our bestsellers this year. We are so thrilled that some of these titles that have appeared on best-of lists, have won and have been nominated for awards! You can get these titles, as well as all our other titles, for 30% off using code HOLIDAY30 through December 31st. You still have time. Check out our website.
No one knows if Elena Ferrante is a tennis fan. No one knows much about her at all. The identity of the author of the wildly popular Neapolitan novels remains a useful mystery—useful because it reveals the poverty of our literary-critical apparatus: without the usual cues of biography and author appearances and interviews, critics have been tripping over themselves to place her work. Feminist. Post-ideological. Neo-neo-realist. They’re not wrong, exactly. But to understand Ferrante, it might help to be a tennis fan—or, at least, to be a fan of one particular match. Krickstein vs Connors, U.S. Open, 1991.
As a teenager, I didn't pay much attention to posted signs. I was a strange kid—both very confident and very lost. My façade, my own sign posted for the world, was a lie and I knew it. But I believed if I could just be patient enough, a kind of secret door would eventually open to a new land, one that looked more or less the same as the old—same streets, same school, same annoying older brother—but would include a sense of orientation, which meant a sense of the world with my place in it. So, what interested me was the other kind of sign. The kind that might offer a portent of my life to come, or an insight into the way things really were.