By Ashlyn EdwardsAs a publicity intern with Beacon Press this summer, the first new book I was given the opportunity to read was Entwined: Sisters and Secrets in the Silent World of Judith Scott, in which author Joyce Scott tells the story of her fraternal twin sister, Judith, an acclaimed fiber artist who was deaf and born with Down syndrome. I was repeatedly struck by how Joyce beautifully captured resonant images from her life and her bond with her sister, despite the many hardships they faced. Joyce recounts their separation at age seven when Judy was institutionalized, their reunion thirty-five years later, and afterwards, Judy’s success as an internationally-known artist.
Working in the creative department at a small non-profit book publisher, we are constantly brainstorming new ideas of how to get our books noticed while not breaking the bank. Perhaps surprisingly, our limitations are sometimes what help elevate our designs to a higher standard. Our department is constantly brainstorming new ways to communicate our message through a combination of digital and physical media. I have had to rely on my abilities to illustrate, draw text, sculpt, paint, photograph, and collage on covers. My favorite covers have always resulted from some sort of experimentation with media and imagery.