By Angela Maria SpringSometimes it takes a cataclysmic event to unearth who we are. Even though I’ve been a bookseller of color for sixteen years, I didn’t fully realize until last year how great the need was for an inclusive bookstore curated and shaped by a majority of people of color. I started Duende District Bookstore this past January to celebrate the power of a diverse community expressed through the bookstore’s space for books, learning and discussion for all voices. But even this began somewhere. So I want to share how the cracks in my foundation formed nearly years prior, when I read a book by Daisy Hernández.
A Q&A with Marianne LeoneMy mother was a singular, irrepressible individual. Her wake, held in the working class area of Newton where I grew up called “The Lake,” was like a celebrity’s, with people from all walks of life telling stories about her. I wanted to tell her story, too, and the idea for this memoir, like my first book, grew out of an essay I had written called “The Official Story.” My mother was an immigrant who had come to the States to escape fascism under Mussolini and an arranged marriage. With my mother, there was the “official story” of her emigration, and the real story that I didn’t learn until years later, which I told in the book.
By Louis RoePoetry collections are a bit of a fantasy cover project for me. They’re an opportunity to think in a different visual language from Beacon’s usual nonfiction catalogue, inviting a relationship between image and text built on reflection and, hopefully, subtlety. Sasha Pimentel’s poems in her forthcoming collection For Want of Water carry this poise on their own particularly well: they reveal only as much as you’re ready to see, but they also ignite a desire to pursue and peel.
By Helene AtwanAh, April. No, it’s not the cruelest month at all; in fact, it’s the month when we celebrate poetry, and given all the other things that are going on in our country at the moment, it’s a gift to be able to turn to the comforts and joys that poetry offers. For Beacon, though, poetry isn’t just about offering those gifts. We view poetry as an important and effective voice for addressing issues of social justice, for underlining the importance of a community devoted to equity and building a just society. Another way, a very compelling way, of speaking truth to power.
By Laura WinnickTeaching Octavia Butler’s Kindred is one of the most important projects I embark on with my students. I’ve taught it for the past two years, and have seen my students, previously bored by texts, evolve into voracious readers, horrified by the grim depictions of slavery and transfixed by the possibility of time travel. This year, we paired John Jennings and Damian Duffy’s newly published graphic novel with the dense fictional text, and students arrived every day begging to read the graphic novel, utterly obsessed with the artistic rendering. In this unit, our essential questions are extremely difficult. We examine: How do race and gender affect our identities? What are the lingering effects of slavery? How are people impacted by their ancestral histories?
Today is International Women’s Day, a global day to honor and celebrate the social, economic, cultural, and political accomplishments of women. Observed since the early 1900s, it marks a call to action for accelerating gender equality. This year’s campaign theme, #BeBoldForChange, implores us to help build a more inclusive, gender-equal world. It also coincides with the “Day Without a Woman” general strike, organized to bring attention to the inequalities women still face, including lower wages, vulnerability to discrimination, sexual harassment, and job insecurity. Women in thirty-five countries are participating in the strike.
By Martin MoranA few years ago I had the privilege of serving as a French-speaking interpreter for a group of refugees, many of them survivors of torture, who were seeking asylum in the United States. Most of the immigrants I worked with were from war-torn regions of Africa. They all happened to be Muslim. In recent weeks, with the issuing of a travel ban against seven predominately Muslim countries and news of many immigrants being deported, I have been thinking constantly about the men and women I worked with, especially one young man whom I’ve called Siba in my recent book All the Rage: A Quest.
By Lisa KotinI will never understand how lovers can buy one another chocolate for Valentine’s Day. If I eat chocolate, the last thing I want to do is to get romantic. I just want to hole up in the bathroom with my box of sea salt caramels and my nuts and chews. Door locked. Lights off. So not even I can see myself going down on the goods.
A Q&A with Damian DuffyIt was an honor and a privilege for John and me to be the first to adapt Octavia Butler’s work to a visual medium. It was also, in equal measure, nerve wracking, exhausting, terrifying, and humbling. It was easily the most difficult comics work either of us have done up to this point, in no small part because we felt the need to do justice to the story, honor Butler’s legacy, and produce a work that would be enjoyable to both fans of the novel and new readers.
It’s December, which means it’s time for our holiday sale! All this month, get 30% off every purchase on our website using code HOLIDAY30. This year, we’re donating 20% of all sales in December to the Water Protector Legal Collective, which provides legal support for water protection activities in resistance to the Dakota Access Pipeline. Now, more than ever, these are titles will be timely and necessary as we transition to the new administration. Looking for a title, but don’t know where to begin? Get started with this list we put together of our bestsellers and highlights of 2016. Happy book hunting and Happy New Year!
2016 is a year that speaks for itself. It’s been a rough and tumultuous one, culminating in a divisive presidential election that has many people afraid of what’s in store for the country once the new administration takes office on January 20. When we’re in need of wisdom and guidance during troubling and unpredictable times ahead, we turn to our authors, who continue to offer their time and insights to give us perspective and commentary on the condition of our world. Our blog, the Broadside, wouldn’t be what it is without them. As always, we’re so grateful to them. We’ll need their thought-provoking essays as we head into 2017. Before the year comes to a close, we would like to share a collection of some of the Broadside’s most-read posts. Happy New Year!
A Q&A with Rich BlintBaldwin’s consistent and insistent interrogation of how the mythology of race, class, and power operates in America to blind and divide us is singular in its analytical depth, sweep, and emotional power. His work reads as a kind of prophecy simply because he was clear about how profoundly dangerous it has always been for Americans not to confront the truth about the violent racial history of the country. His work must be read as testimony, as, yes, a secular witnessing to the serious perils of indulging in the American fiction of “whiteness” and its purported superiority.
By Daisy HernándezI don’t know how to talk to my parents these days. Mami didn’t vote for Trump, but when I told her my outrage the day after the election, she said, “The man hasn’t even taken office yet. Let him take office.” I initially took her defense to mean that like my father, she had voted for Cheetoh, since she usually follows Papi’s lead.
The results of the 2016 presidential election have left many people in shock and disappointment. In a time where people are fearing that a new administration will work to reverse much of the progress made in the last eight years, we are left wondering what the future holds. How do we continue to fight against climate change, fight for reproductive rights, LGBTQ protections, and racial and economic justice?
By Kay WhitlockIt’s much harder to admit to playing in one’s own dark gardens of fear.
By Richard HoffmanWhen an ideology is dying, its final throes include a ferocious and defiant last stand. I believe we are witnessing that right now, the last stand of a discredited idea of masculinity that was long in the making but took its most rigid and brutal form amid the atrocities of the last century of warring bullies. Standing up to a bully like Trump might begin, for men, with the simple declaration that we are our mothers’ sons as well as our fathers’, a declaration that acknowledges our original wholeness. And then we ought to think hard about what that really means and what it might require of us.
By Melissa Range and Tracy K. SmithEach of the poems in Scriptorium is a marvel. What may likely strike you on the first read is Range’s remarkable facility with form. She moves nimbly, naturally, with comfort and acrobatic delight through the rigors of sonnets, villanelles, anagrams, cento, and the like. She submits joyfully to the whims of rhyme, allowing music to exert its will upon her train of mind, and she does so with such virtuosic ease that you may not even detect it on a first read. But what you will feel more than any of this, I am certain, is an urgent usefulness. These are poems for which form is not an end in itself.
A Q&A with Michael BérubéA capacious and supple sense of what it is to be human is better than a narrow and partial sense of what it is to be human, and the more participants we as a species can incorporate into the determination of what it means to be human, the greater the chances that we will enhance our collective capacities to recognize each other as humans entitled to human dignity.
By Nicholas DiSabatinoDear Sister Sonia: We’ve never met in person, yet we’ve spoken on the phone dozens of occasions since I joined Beacon Press back in 2012. I’ve been so blessed to work with you as your publicist these past few years. It’s a strange feeling to “know” someone only via the phone. I feel in some ways like we’re long distance pen pals, even though you’re only in Philadelphia and I’m in Boston. I’ve come to expect that particular warmth in your voice whenever we speak and I hear that familiar “Brother Nicholas, any calls?” from you. It’s part of who you are as a person and an artist
A Q&A with Atef Abu SaifI have to say that I did not write a diary to publish. I had a habit of writing sort of personal narratives now and then, to use in writing my fiction and to keep for future memoirs. I was shocked with the dialogue that took place between me and my friends (day one) at the time that the strikes started. What shocked me is our search for a meaning of what happens. All our life is a search for meaning. This search is much harder in a very uncertain context like the one in Gaza. I wrote down this dialogue while the sounds of explosions and attacks negated my wish that this was just another escalation.