By Maya Fernandez | To know Ntozake Shange was a privilege. Like many Black women, I was first introduced to her brilliance in college when I read her choreopoem for colored girls who have considered suicide/when the rainbow is enuf and found myself in her words. As I immersed myself in her other written work, I learned that she wrote boldly with a heartbreaking and beautiful honesty that centers the stories and lives of Black people across the diaspora, and particularly, Black women and girls. She never dulled her experience or language for the sake of making a mainstream white audience feel comfortable, and instead, wrote plays, poetry, novels, and essays that affirmed Black lives, culture, and being.
8 posts from October 2019
When I first started college, I saw myself working in magazine publishing or doing political writing. But the more I talked to people in my classes about why they were passionate about book publishing, the more drawn to it I became. I always knew I wanted to work somewhere at the intersection between art and public policy, and Beacon felt like exactly that place. The mission statement and the books they have published line up perfectly with so many of the issues I’m passionate about.
By Wen Stephenson | Speaking honestly about the climate catastrophe is hard. One reason for this at times excruciating difficulty is that it requires us to acknowledge and to live with what we know—as well as what we don’t know. As one who writes and speaks about climate and politics, perhaps I’m not supposed to admit this, but the fact is, most days I don’t know what to say—much less do—as I stare into our climate and political abyss. Frankly, I wonder if any of us really do. The situation is unprecedented. It’s overwhelming. All bets are off.
It feels like a cliché, but I’ve always been interested in books and bookmaking. My dad ran a print shop in Cambridge for many years, so I had what felt like limitless access to paper in a rainbow of colors, giant staplers, laminators, and plastic binding. I made my first book when I was five or six and called it “Beautiful Birds,” a collection of bird illustrations for my grandma. When I started thinking about college ten years later, it was pretty much a toss-up whether I’d study writing or art. Designing books is a career where I get to be excited about both, so I set my heart on it early.
By Paul Ortiz | I wrote An African American and Latinx History of the United States because I believe that history has an indispensable role to play at a time when many of our leading politicians are again invoking anti-Latinx and anti-Black hatred in order to garner votes. I was born in 1964. I grew up in the 1970s, a time of “backlash” against the Mexican American and African American civil rights movements. Politicians like California’s Pete Wilson, Arizona’s Joe Arpaio, and New York’s Donald Trump rose to political power by blaming immigrants and African Americans for society’s problems.
By Eileen Truax | I first met the Romero family in 2013 on a trip to Arizona. In this household, the three children were taught that everyone was equal. they were raised to respect their elders, to be proud of their country of origin, and to love the United States, where they had lived for twenty years. But deep down, they all knew they were not the same: though Cynthia, the youngest, was a US citizen, her older siblings, Steve and Noemí, were undocumented.
A Q&A with Andrew S. Lewis | I am a person—an American—who believes in climate change. (I hate that we even have to say “believe,” as if it were a religion and not a simple fact of science that’s been proven for decades.) More difficult was the fact that I was writing about people from my hometown, people who knew people in my family, people who members of my family have to see on a regular basis. It’s a small place. But structuring the book in an investigative way, which allowed me to lean on the core tenants of journalism, offered me the opportunity to extract myself from large sections of the narrative and to simply listen objectively.
A Q&A with Andrew S. Lewis | I grew up on the Bayshore, and my family was deeply connected to the water and wetlands that surrounded us. We fished the bay, went crabbing in the creeks. I understood that we lived within a beautiful, ecologically diverse natural space. I always wanted to be a writer, and one of my favorite books as a kid was The Adventures of Tom Sawyer. One of the main reasons that it was my favorite book was because the Mississippi River landscape Twain evokes reminded me a lot of the Bayshore. Later, in my teens, my grandfather would tell me stories about the Prohibition years, when bootleggers paid off his father to use his Bayshore land to transport booze smuggled in from the bay. For years, I toyed around with fictional stories about the Bayshore during Prohibition, just believing there was a story there.