By Polly Price | Well, it’s official. A presidential administration that left US citizens to sink or swim when facing the worst pandemic in a century has finally admitted what we already knew. It has given up. Saying the quiet part out loud, White House Chief-of-Staff Meadows acknowledged the coronavirus task force no longer even pretends to address the spread of the virus. But this is no surprise to anyone paying attention. This presidential administration was never interested in using the full power, resources, and authority of the federal government to combat COVID-19. And shamefully, it shows.
9 posts from October 2020
A Discussion with Andreas Karelas, Katharine Hayhoe, and Bill McKibben | Bill, I was recently flipping through your book Falter, and one of the things you write that speaks to a big portion of Climate Courage is that we have two technologies that, if employed, could be decisive to the era: the solar panel and the nonviolent movement. RE-volv, the nonprofit that I founded, finances solar-energy projects for nonprofits that otherwise couldn’t go solar. Those nonprofits can then reduce their electricity costs, benefit the people they serve even more so, and demonstrate to the community the benefits of solar energy.
It was not so long ago when we said goodbye to renowned poet, novelist, playwright, and performer Ntozake Shange. Two years ago, we received news that she had passed while working with her on what is now her first posthumous book, “Dance We Do: A Poet Explores Black Dance,” her tribute to those who taught her and to her passion for rhythm, movement, and dance. It’s also a personal history and celebration of Black dance, featuring stunning photos along with personal interviews with Mickey Davidson, Halifu Osumare, Camille Brown, and Dianne McIntyre.
By Gustavus Stadler | I knew that when my book came out, I would inevitably be asked questions like, “What would Woody Guthrie do today? Where would he stand on this issue? What would he think of this candidate or that elected official?” I’m mostly accustomed to writing about topics at least several decades distant from the present, and I try hard to honor the otherness of the past, rather than portray it as a simpler version of the now. Plus, responses to such questions so often depend more on the projections of the answerer than on historical evidence.
By Linda Hogan | The story of this land is ancient. The red earth, crags, and canyons were once an inland sea. I imagine the currents when this mountain basin was ocean, water swaying as the moon became full or as wind moved it, swaying. Within the water, a shining circle of fish, many lives all thinking and moving as one. Sea animals hid inside stone caves and indentations that now, so many years later, shelter canyon wrens and swallow nests, once protecting numbers of indwelling bats.
By Judith Ortiz Cofer | On a bus trip to London from Oxford University where I was earning some graduate credits one summer, a young man, obviously fresh from a pub, spotted me and as if struck by inspiration went down on his knees in the aisle. With both hands over his heart he broke into an Irish tenor’s rendition of “Maria” from West Side Story. My politely amused fellow passengers gave his lovely voice the round of gentle applause it deserved. Though I was not quite as amused, I managed my version of an English smile: no show of teeth, no extreme contortions of the facial muscles—I was at this time of my life practicing reserve and cool. Oh, that British control, how I coveted it.
By Enrico Gnaulati | Under normal circumstances, family life in America is a “fire shower of stress, multi-tasking, and mutual nitpicking” according to journalist Benedict Carey, covering the results of a four-year-long UCLA observational study of thirty-two urban families for the New York Times. A survey funded by Sleepopolis a few years back discovered that kids have an eye-popping 4,200 arguments with their parents before they turn eighteen, averaging fourteen minutes long, with parents “winning” upwards of sixty percent of the time.
By Angela Chen | I distrust narratives, always have. The child too shy to open her mouth and captivate others with story became the science journalist who fetishized data instead, fond of talking about how stories can stand in the way of justice—just look at how a blond girl suddenly kidnapped can receive so much more attention and care than all the less photogenic children who live every day in difficult conditions.
A Q&A with Michael Torres | Larry Levis has been the biggest influence. Though, I don’t think I intentionally went to his work for metaphors. I just loved the way another, surreal world could blossom from within the real world of the poem. I’m always fascinated at the point in which an image or description sinks into a deeper space.