By Sumbul Ali-Karamali | In this age of Diversity, Equity and Inclusion movements, twenty years after the tragedy of 9/11, why is it still acceptable to denigrate Muslims and what they believe without any knowledge of what they believe? Why are Muslims judged on the basis of stereotypes and not on facts? And why are we as Americans so reflexively quick to believe the worst of Muslims, given half an opportunity to do so?
6 posts from September 2021
This year’s theme for Hispanic/Latinx Heritage Month is Esperanza: A Celebration of Hispanic Heritage and Hope. It invites Hispanic and Latinx communities to reflect on how good our tomorrow can be by holding onto resilience and hope. The following books from our catalog wouldn’t be here without our authors’ sense of hope, be it the hope of a better future embodied in the text or the hope that the book will reach the reader who needs it. In each one, you will experience stories of resilience in the face of seeking justice, of crossing borders and carving out a space for one’s self in an uninviting country, adding to the complexities and contradictions of the United States’ narrative. One of these books is for you. Happy Hispanic/Latinx Heritage Month!
By Christian Coleman | It was a long wait before Gayl Jones broke her years of silence. When Toni Morrison first discovered her, she said “no novel about any Black woman could ever be the same after this” upon reading the manuscript for “Corregidora.” It was published in 1975 when Jones was twenty-six. She followed up her debut novel with “Eva’s Man” and “The Healing.” But then after “Mosquito,” which came out in 1999, we wouldn’t hear from one of the greatest literary writers of the twentieth century for twenty-two years.
By Joan Murray | Last week, I got a call from a stranger. She was an elder at a church planning a remembrance ceremony for the twentieth anniversary of the 9/11 attacks and asked if I’d read a poem. It was a poem I wrote on an Amtrak train four days after the attacks, and when I read it on NPR four days later, it became something of an anthem. Thousands of people from all over the world wanted copies: A factory owner in the Midwest wanted to read it to his workers; a Maryland police sergeant wanted to read it to her officers before they went on duty; a Canadian physician wanted to read it at a conference. People said they needed the poem.
Beacon Press is proud to announce the expansion of its poetry program, adding new voices to those of the press’s renowned poets—including James Baldwin, Mary Oliver, Sonia Sanchez, and Richard Blanco—who have been an essential part of the press’s catalog. The new series is called RAISED VOICES and will serve the overarching goal of representing marginalized voices and perspectives in poetry. The series authors will offer books that affirm progressive values, give voice to many identities, are accessible to a wide readership, and celebrate poetry’s ability to access truth in a way no other form can. Beacon plans to acquire about three new titles for the series each year.
It took me a long while to figure out that there were entire careers behind every page of the books I was reading. It might sound odd, but it wasn’t until reading about Anastasia Steele working in a publishing house from “Fifty Shades of Gray” that I put it together (pretty sure that wasn’t the goal of the book, haha). After that, I spent more and more time looking not only at what I was reading, but also which publisher or imprint was producing it.