A Q&A with Ruth Behar | So much has changed in the last twenty-five years that sometimes we forget how different were the paradigms we worked with before. Anthropologists were taught that they had to approach their research from a distance. This meant silencing the story of your entanglement with a specific set of people, in a specific place, in a specific moment in time, and how knowledge gets produced in this messy, haunting, unrepeatable process.
5 posts from October 2021
By Philip Warburg | The Better Buildings Act, now making its way through the Massachusetts legislature, is a monumental step toward curbing fossil fuel use by larger commercial and public buildings. Yet even as we focus on these major carbon polluters, we cannot lose sight of the need to bring clean energy solutions to residential communities, particularly those that have been unable to tap the solar energy that shines on their rooftops.
By Christian Coleman | Break out the confetti and the champagne! We’re having a double celebration for civil rights activist Desmond Meade! First, he has been named a 2021 MacArthur Fellow! Secondly, it’s the first-year anniversary of his book, “Let My People Vote: My Battle to Restore the Rights of Returning Citizens.” The MacArthur Foundation selected him to join this year’s class of Fellows because of his work to restore voting rights to 1.4 million formerly incarcerated citizens in Florida and to remove barriers to their full participation in civic life.
A Q&A with W. J. Herbert | A woman meditates on her impending death and the crisis her species has created in the original version of this manuscript which contained only fossil and specimen poems. “Do these creatures ever answer your speaker’s questions?” asked friend and fellow poet Tim Carrier. They don’t, I told him. He said: “But your readers need a way in.” I wasn’t sure what he meant but, in my heart, I knew he was right: we need to care deeply about the speaker.
My degree is actually in film, but I realized only afterward that it wasn’t what I wanted for myself, so I did what any sensible person would do—I street performed for a little while in Baltimore, playing bucket drums. Wanting something more stable, I luckily got hired on as a manager at a Books-A-Million. The rest is history, I guess. I just fell in love with books, the industry, and the people in it. My first taste of publishing was during an internship at MIT Press where I got to work in a few different departments. That affirmed publishing as the right place for me.