Like many people who work at Beacon, I have always loved books and reading, and I studied English as my major in college. Though my mother worked as an editor for a number of years, I did not consider a job in publishing for myself until later in school. I was worried that a lack of publishing-specific internships might make it more difficult to get a job in this industry but figured it was worth a shot! I found the listing for my position at Beacon during one of many frantic late-night job searches as a second-semester senior.
With an undergraduate degree in design and six years of teaching in a centre for speech and drama, I needed something that would amalgamate my interest in design and literature. After some research, I realised the design and production department of the publishing industry is the place for me.
I’ve always loved reading, but I came to realize that the publishing industry’s lack of diversity was shaping the types of books that were picked up and being pushed on readers including myself. As a queer Black disabled woman who only rarely saw myself represented well or represented at all in my favorite medium, I got fed up and decided that I guess I gotta be part of that diversity myself.
When I first started college, I saw myself working in magazine publishing or doing political writing. But the more I talked to people in my classes about why they were passionate about book publishing, the more drawn to it I became. I always knew I wanted to work somewhere at the intersection between art and public policy, and Beacon felt like exactly that place. The mission statement and the books they have published line up perfectly with so many of the issues I’m passionate about.
It feels like a cliché, but I’ve always been interested in books and bookmaking. My dad ran a print shop in Cambridge for many years, so I had what felt like limitless access to paper in a rainbow of colors, giant staplers, laminators, and plastic binding. I made my first book when I was five or six and called it “Beautiful Birds,” a collection of bird illustrations for my grandma. When I started thinking about college ten years later, it was pretty much a toss-up whether I’d study writing or art. Designing books is a career where I get to be excited about both, so I set my heart on it early.
As most people in publishing will say, I’ve always really, really, loved reading. English was the only subject throughout school that I truly cared about, and the idea of getting to work with books all the time always seemed like an absolute dream to me.
It’s probably no surprise to hear that I, like much of the staff at Beacon, have always been a book nerd. My mom loves to embarrass me by recalling all the times she would check on me during childhood playdates, only to find me steadfastly ignoring my friends in favor of getting in one more chapter. It wasn’t until I landed a job at a local indie bookstore when I was seventeen that I became interested in the work that goes into transforming a person’s idea into a book on a shelf (shout-out to An Unlikely Story for continuing to indulge my coffee and book addictions after all these years!).
I feel like so many people I’ve spoken to who work in publishing have always known they wanted to be a part of this industry, but that’s definitely not the case for me! When I was in high school, I thought I wanted to pursue some sort of health science career, but then I had the classic “I don’t know what I want to do with my life” freak-out just before it was time to apply to schools. My mom encouraged me to think about the subjects I truly enjoyed studying, and those were always my English and Latin classes. I ended up connecting with a family friend who works in publishing, and she was the person who showed me how much you really can do with an English/Liberal Arts degree!
I want to say my passion for book publishing is because I have always loved to read, but that is just not true. When I was growing up, my family pretty much exclusively spoke Spanish, so when I started first grade and was asked to learn to read in English—a language that already felt out of place on my tongue—it was a BIG no from me. I hated it. It took me longer than the other kids to read a Magic Tree House book, and I was embarrassed, which put me off reading for pleasure for years. It wasn’t until sixth grade when I had an amazing English teacher—Shout-out to Emily! I went to a hippy-dippy middle school where we called our teachers by their first name—that I finally enjoyed reading.
I studied poetry in college and worked a handful of odd publishing jobs around New York. Through both good and bad experiences in that world, I developed a genuine passion for promoting work by both new and underrepresented writers. I was always That Person telling my friends, “You need to read this new book! You need to read this new poem!” Yelling about new books is fun, you know? It’s a celebration, which, for me, always felt like a natural extension of being a super nerdy reader. So when I applied to graduate schools and Emerson’s publishing program offered me a funded spot, I leapt at the chance to explore publishing outside of New York. After that, my path became a little circuitous.
While reading The Condemnation of Little B by Elaine Brown for a class, I saw that Beacon had published it and remembered a friend telling me about the organization and her great experience interning at Beacon. The Condemnation of Little B is one of the best and one of the most unorthodox books I have ever read. It combines memoir, investigative journalism, and history into a cohesive and rousing book, detailing the societal and historical events leading up to the arrest and incarceration of Michael Lewis. I knew that any publisher willing to publish such an unusual book with such pointed critiques of typically deified historical figures was exactly the type of publisher I wanted to work for.
I only realized publishing was a career path much later in my life—halfway through my undergrad degree in business administration, in fact. I’d always been a creative kid, but I never realized that the books I hoarded so ardently could be something that I could actually dedicate a career to. I finished up that business degree and went on to an apprenticeship program in an academic publishing house, where I trained in all their departments: editorial, production, accounting, etc. I was senior marketing executive there by the time I left, four years later, to do my masters in publishing at Emerson College.
I’ve always had a passing interest in publishing going as far back as my last couple years of high school when I joined (and then became the editor in chief of) my high school newspaper. And then when I was in college, I became a staff writer at our college paper in my first year and worked my way up to copyeditor in my last couple of years while working part time as an assistant at a boutique publishing house.
When I was looking for my first job in 1989, I knew I wanted to work in Boston but hadn’t decided on a specific career path. I applied to be an administrative assistant at several companies and chose Houghton Mifflin, partly because my grandfather had worked for the company in the 1930s as a printer operator. I was drawn to the legal and financial aspects of the business and worked in various roles that helped me further my career with the company and later to run my own freelance publishing services business. I kept in touch with many of my wonderful colleagues, including Cliff Manko.
It was a really long process for me! I was an English major in college. I loved reading and doing research, but I didn’t like sitting down and writing so I didn't consider a career in publishing. I went on to work in documentary production, but I found it too hard to make a living as a freelancer. I seriously considered becoming a librarian, but I realized that I wanted to be involved in some way with making books. So, I enrolled in the publishing certificate program at Emerson.
I was an English major in college and worked on online publications and art journals while there, because I wanted to be directly involved with spreading the good word of the works that I thought were important. I always knew I would be in publishing in some capacity after realizing I can manage paper deadlines, print deadlines, and still having that passion and drive to work on projects long term. I was a publicity intern at Beacon my last semester in college, and then I stayed on as an editorial intern after graduating and I’ve never left.
I’ve always wanted to work in book publishing once I realized it was a possible career. I interned at a few different publishers in college and loved it. I knew it was a super competitive field, and someone at my college’s career office even told me it was too competitive for me and that I shouldn’t really bother trying to break in, but I knew what I wanted to do, so I worked really really hard to make it happen. My first job was at Cornell University Press in the acquisitions department, which was great, but I really enjoyed the marketing aspects of my job the most and wanted to move back to Boston, so that’s how I ended up here! My official title is associate marketing manager and I do lots of different things: academic marketing, conferences, advertising, creating promotional materials like postcards or bookmarks, drafting marketing plans, and managing our internship program.
I studied English and Religious Studies in college but didn’t know what I wanted for my career. I fell into hospitality management for several years after graduating. I loved working for the boutique hotel I managed but was ready for a change. Despite my best efforts to avoid any and all math courses in school, I realized while working that I enjoyed and wanted to expand on the accounting and business administration skills I had acquired. Working in the business department for Beacon Press felt tailor-made to my interests.
I had a roundabout path to where I am now. I went to a STEM magnet high school and worked at the Army Research Lab in the microphotonics department and figured I would be an engineer. I entered college as an engineering major and minored in art. The whole while, I wrote articles as a student reporter. In high school I was the news editor of our school paper and in college I was a staff reporter for the campus paper. The Asian American Student Union published a newspaper, and the editor-in-chief contacted me for help. I wrote a few pieces and became the editor-in-chief for the next two years. Halfway through my junior year, I switched majors and I graduated with a BA in journalism and a minor in art and worked in a newsroom of a paper and as a writer for a magazine—and found that I was good at layout and composition and went to grad school for design.
I was amazingly lucky. I’d been associate publisher at Farrar, Straus and Giroux when we were distributing Beacon, so I got to “help out” with some of their books, including best-selling books by Marian Wright Edelman and Cornel West. When my predecessor left, the search committee came knocking at my door. I just happened to know one of them, Roger Straus III, so maybe the fix was in. But it was the amazing Kay Montgomery, executive vice president of the Unitarian Universalist Association, who really settled me in and supported me for the next seventeen years. I’ve never recovered from her abandonment (well, yes, she retired after more than twenty-five years at her job…).