Whip out that #OscarsSoMale hashtag. This year, the Academy snubbed such filmmakers as Gina Prince-Bythewood, Maria Schrader, Sarah Polley, and Charlotte Wells as Best Director nominees. In “The Wrong Kind of Women,” Naomi McDougall Jones writes that this snubbery—read: discrimination—owes itself to “the film industry’s fetishization of the male ‘genius’ auteur filmmaker.” Must the patriarchy be so basic? At least Sarah Polley took home a Best Adapted Screenplay Academy Award for her film “Women Talking.”
Remember those minutes-long social media videos of folks quarantine clapping for frontline workers? And for the medical staff and carers looking after droves upon droves of COVID patients? Do you also remember that most of the ones getting the applause were women? If our global health crisis has made one thing clear, it’s how much we depend on—and take for granted—the recognized and unrecognized work women of all cultures do to keep societies going.