A Q&A with Dominique Christina | When I got into poetry, I was just trying to expel my own ghosts. No lofty notions about saving the world or addressing the ills therein. I just didn’t want to get off the planet with all of those skeletons hanging on my neck. I realized pretty quickly, though, that my personal traumas reflected my/our historical traumas, and in that regard, whatever medicine I am offering to myself, I am also hoping to speak into the dis-ease in such a way that there is balm enough for all of us.
A Q&A with Dominique Christina | I started writing when I was a senior in undergrad. I whimsically elected to take a creative writing course solely because the man who taught the course was a professor I would see on campus walking around in tye-dyed shirts and Birkenstock sandals with uncommercial hair. He was profane and funny, and I thought I would enjoy being in a classroom with him. What I did not know was that his course would change the trajectory of my life. He refused to let me hide in the writing which I fully intended to do. He insisted on authenticity and transparency and confession, and I found myself, for the first time really, having permission to say things I thought I would die with.
By Helene Atwan: Is it only in April that we’re supposed to appreciate poetry? After all, as this April in New England is proving beyond a doubt, it is the cruelest month. But maybe that’s why we need poetry . . . Now, more than ever, we’ve discovered that we need poetry not just to delight and uplift us, but to teach us, to show us.
National Poetry Month celebrates the power of the word in verse. Condensing language to its most vivid and lyrical effect, poetry speaks straight to the heart, and in verse, poets unveil to us the unseen beauty and terror of our world. There is so much out there to enjoy, but where to start? We reached out to some of our beloved poets to ask them about their favorite poets and poetry collections.