There is no other way to put it. The start of this year’s Pride Month was painful. We can’t stop thinking of the police killings of George Floyd, Breonna Taylor, Ahmaud Arbery, Tony McDade, and of too many before and after them. Witnessing modern-day lynch mobs during a pandemic is soul-crushing. Do not be tempted to say the upheaval happening now is “unique” or “unprecedented.” Because it is not. The US has centuries of history inflicting violence and death on Black bodies. As Martin Luther King, Jr. said in his “The Other America” speech, “the riot is the language of the unheard.” And the US has not listened since the days of slavery and settler colonialism. So the protests and riots rage on.
By Imani Perry | I turned eight the year Stevie Wonder’s album Hotter Than July was released. My favorite song from that album was “Master Blaster.” Like most people, I imagine, I called it “Jammin,’” from its refrain, “Nobody ever told you that you / would be jammin’ until the break of dawn.” A reggae-influenced jubilant song, it makes you want to dance and laugh. And I was listening to it, nostalgically, the day before I heard that the former and first Zimbabwean prime minister, Robert Mugabe, had died.
First, the American Dirt snafu. Now this? Barely into the beginning of Black History Month, we had a teachable moment. Yes, that kind of teachable moment. To celebrate the month, Barnes & Noble Fifth Avenue announced the launch of their Diverse Editions. Alice in Wonderland, Romeo and Juliet, The Secret Garden, and nine other classic novels—“classic” meaning, of course, older works of fiction from the white literary tradition, as though other cultures don’t have longstanding literary traditions of their own, tut-tut—would have custom designed covers, each one illustrating the main characters with multiethnic backgrounds.
Now this is how you round off a year and a decade. Just look at all these books on all these Best-Of lists! Our authors absolutely killed it And they’ll kill it again in 2020. Let’s give them a round of applause into the new year. And while we’re doing so, let’s take a look at some highlights of the lists their books appeared on.
By Gayatri Patnaik | Several months ago, when I was in the midst of editing Imani Perry’s biography of Lorraine Hansberry (Looking for Lorraine), I remember stopping and thinking about how special Imani’s voice was. She is extremely knowledgeable and intellectually sophisticated, but she also had this ability to write about Hansberry in an intimate way, and with an eloquent simplicity. A few minutes later, I happened to read a Facebook post from Imani about one of her sons and I immediately thought, How lucky her kids are to have Imani as their mother. And then I became curious and wondered, How is she educating them?
Another legend gone. And more than a legend, she was a force! Novelist, editor, professor, and Nobel laureate Toni Morrison died on August 5 at age eighty-eight. Pick any book from her bibliography, and you will be mesmerized by her command of prose, her power to conjure up the ambience and lived-in feeling of Black communities and their heroines and heroes to the finest, vibrant detail. She was Black love, Black resilience, and Black brilliance personified. There won’t be another writer like her.
Imani Perry is having a moment in the limelight, and we hope she’s relishing every minute of it. When she first came to our offices to talk about her biography on Lorraine Hansberry, Looking for Lorraine, we knew it was going to be special. Fast forward to this year’s PEN/America Awards, and we delighted in seeing just how special her book is. She won the PEN America/Jacqueline Bograd Weld Award for biography!
By Imani Perry | Lorraine was frustrated by some critical evaluations of the play, even as she understood them. She was particularly frustrated that Walter Lee’s “ends” were read without complication. They were deliberate and clearly shaped by Irish playwright Sean O’Casey, the WPA Negro in Illinois project’s publication Black Metropolis, and Thorstein Veblen’s Theory of the Leisure Class, which she considered an essential companion to the writings of Karl Marx. Walter Lee’s yearnings were a manifestation of Veblen’s theory of desire in a capitalist society, one that cut across class and caste. Her mastery of full characters, her sensitivity to speech and personality so that the characters never read as types, made the politics invisible to so many. But Lorraine intended to correct that.
Are you ready for the holiday season and on the hunt for gifts to inspire someone in your life? Our holiday sale is back! Save 30% on everything at beacon.org through December 31 using code HOLIDAY30. This year, Beacon Press is also donating 10% of our web sales in December to Unitarian Universalist Assocation Disaster Relief Fund to the help the communities in California recover from the wildfires. Here are our holiday picks for the year. Drum roll, please
By Emily Powers and Bella Sanchez | Imani Perry’s Looking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry is a watershed biography of the award-winning playwright, activist, and artist Lorraine Hansberry. If people know anything about Lorraine (Perry refers to her as Lorraine throughout the book, explaining why she does so), they’ll recall she was the author of A Raisin in the Sun, an award-winning play about a family dealing with issues of race, class, education, and identity in Chicago. Lorraine’s extraordinary life has often been reduced to this one fact in classrooms—if she is taught at all.
Women’s History Month not only celebrates the social, economic, cultural, and political accomplishments of women. It reminds us that history is in the making, at this very moment, as the fight for intersectional gender equity continues. We must engage with the struggle to make the just society we want a reality. To that end, we offer the following list of recommended reading from our catalog for your perusal.