Give yourself a round of applause for running the marathon and sadistic obstacle course that was 2020! Or a glass of wine. Recollect yourself and recuperate with your self-care regimen if you have one. This year ran us so ragged we may not be in any mood to look back in annoyance, exhaustion, or terror. But this is one of those car wrecks worthy of a size-up so we can take stock of the issues that blew up in 2020. That way, we can recommit to learning about them in the New Year to set the nation back on course to the society we want. The top read blog posts on the Broadside are a good, and hopefully less painful, way to do that.
It’s a kneejerk reaction to imagine what James Baldwin would say about the state of things in the US when the anniversary of his death comes every December 1. Especially now. Much like how the issues that folk legend Odetta sang about are still, sadly, relevant today, so it goes for the issues Baldwin wrote about in “Notes of a Native Son.” Which is why our director, Helene Atwan, says it remains so potent a text to go back to.
There is no other way to put it. The start of this year’s Pride Month was painful. We can’t stop thinking of the police killings of George Floyd, Breonna Taylor, Ahmaud Arbery, Tony McDade, and of too many before and after them. Witnessing modern-day lynch mobs during a pandemic is soul-crushing. Do not be tempted to say the upheaval happening now is “unique” or “unprecedented.” Because it is not. The US has centuries of history inflicting violence and death on Black bodies. As Martin Luther King, Jr. said in his “The Other America” speech, “the riot is the language of the unheard.” And the US has not listened since the days of slavery and settler colonialism. So the protests and riots rage on.
No, I don’t feel death coming. I feel death going: having thrown up his hands, for the moment. I feel like I know him better than I did.
By Rashod Ollison: When I first read James Baldwin at about age sixteen, I didn’t quite understand everything in Notes of a Native Son. But I knew the powerful prose was important and that I would return to it. Baldwin at that point had been dead for close to a decade. I’d come across a dog-eared paperback of Notes of a Native Son in the public library, where I worked after school. I imagined Baldwin a robust man whose presence was as commanding as his work. When I saw pictures of him as I began to explore more of his writing in college, his pronounced features—his intense globular eyes, his ingratiating gap-toothed grin—clarified something about his work for me. He always saw well beyond the surface unlike any other writer of his generation or any other writer since.
Graduation is a rite of passage that takes us either to the next step in education or our first step in a career. As a stage of new beginnings, it can be a time of uncertainty, but it’s also full of potential for growth. Graduation this season, though, seems particularly marked by uncertainty because of our charged political climate. And graduates are pondering what their own future holds in store for them. That got us thinking about what guidance our authors can give for those moving on to the next chapter of their lives.
2016 is a year that speaks for itself. It’s been a rough and tumultuous one, culminating in a divisive presidential election that has many people afraid of what’s in store for the country once the new administration takes office on January 20. When we’re in need of wisdom and guidance during troubling and unpredictable times ahead, we turn to our authors, who continue to offer their time and insights to give us perspective and commentary on the condition of our world. Our blog, the Broadside, wouldn’t be what it is without them. As always, we’re so grateful to them. We’ll need their thought-provoking essays as we head into 2017. Before the year comes to a close, we would like to share a collection of some of the Broadside’s most-read posts. Happy New Year!
A Q&A with Rich Blint | Baldwin’s consistent and insistent interrogation of how the mythology of race, class, and power operates in America to blind and divide us is singular in its analytical depth, sweep, and emotional power. His work reads as a kind of prophecy simply because he was clear about how profoundly dangerous it has always been for Americans not to confront the truth about the violent racial history of the country. His work must be read as testimony, as, yes, a secular witnessing to the serious perils of indulging in the American fiction of “whiteness” and its purported superiority.
The results of the 2016 presidential election have left many people in shock and disappointment. In a time where people are fearing that a new administration will work to reverse much of the progress made in the last eight years, we are left wondering what the future holds. How do we continue to fight against climate change, fight for reproductive rights, LGBTQ protections, and racial and economic justice?
Q&A with Helene Atwan Photo credit: Bob Kosturko What has been Beacon’s relationship with poetry? For the past decade or more, Beacon’s poetry program, such as it was, focused largely on two key poets we have published over many years,...
As 2014 comes to a close, we look back at some top Beacon Broadside posts, as well as a few overlooked gems.
“Staggerlee wonders” is a poem that could have been written for the current moment, a poem imbued with the spirit of #BlackLivesMatter, with the heartbreak and the anger of #ICantBreathe.
Beacon authors offer a forceful rebuke to the bombardment and occupation of Gaza as a path to long-term regional stability.
For the 90th anniversary of his birth, we remember the miracle and the conundrum of James Baldwin: the teen preacher turned humanist; the resolutely American expatriate; the voice of rationality for a generation on the edge of revolt; a probing intelligence, unsatisfied by facile or convenient truths. Baldwin was never easy to place in a box, which is exactly why he remains so important to us today.
Bob Kosturko, creative director for Beacon Press, shares his process for designing the iconic new jacket for James Baldwin's 'Jimmy's Blues.'
A young Mexican immigrant discovers a new and profound sense of self, identity, and understanding in James Baldwin's classic text 'Notes of a Native Son.'
A publicity assistant at Beacon Press rediscovers the gift of James Baldwin's words and poetry.
Beacon director Helene Atwan introduces new books from James Baldwin and Inaugural Poet Richard Blanco.
Eboo Patel writes about a James Baldwin essay that helped guide him as an activist and writer.
James Baldwin (1924-1987) was a novelist, essayist, playwright, poet, and social critic, and one of America's foremost writers. His essays, such as "Notes of a Native Son" (1955), explore palpable yet unspoken intricacies of racial, sexual, and class distinctions in...