By Christian Coleman | When Latinx workers across the US came together for International Workers’ Day on May 1, 2006, their strike sent more than one message. As historian Paul Ortiz writes in An African American and Latinx History of the United States, they protested immigration restrictions that threatened their families, their livelihoods, and their dignity. The protested to pass national legislation for a living wage. Shutting down meat packing, garment manufacturing, port transportation, trucking and food services in many parts of the country was an act of resistance to neoliberalism, mass incarceration, militarism, and imperialism. Latinx workers from numerous cultures were all in.
By Leslie Feinberg | Capitalism is one of the most irrational economic systems imaginable: those who do the most, get the least, and those who do the least, get the most. How can such a system continue? It couldn’t if the vast, laboring majority got together to fight for a new, more equitable economy.
By Christian Coleman | Ah, Florida! The hottest tourist getaway where you can refine your tan, stoke your adrenaline on Disney World rides, and soak up state-sanctioned prejudice and ignorance under the sun. Joining fellow civil rights groups League of United Latin American Citizens and Equality Florida, the NAACP issued a travel advisory for the Sunshine State to warn tourists about the laws and policies that are “openly hostile toward African Americans, people of color, and LGBTQ+ individuals.” If Stefon from SNL were in charge of promoting DeSantisLand—gawd forbid!—he’d say this hot spot has everything.
By Ricky Tucker | This portion of my July 26, 2020, interview with preeminent trans advocate, model, and icon Gia Love was pure joy for me on a lazy Sunday afternoon. She is a joy to be around, and accordingly, in the aftermath of a summer stricken with the murders of Black, trans, and Black trans people (which we discussed), I wanted to ask her about how she finds and leans into joy during these cruel times as a thinking and socially engaged person sitting at the intersection of those identities. Luckily, the concept of trans joy is central to her ethos, pathos, and logos. She also cast a spotlight on some of the limits of the not-for-profit industrial complex when servicing Black women of trans experience. Enjoy.
By Gayatri Patnaik and Christian Coleman | In her compelling Boston Globe article “Celebrating Black History Month as Black History Is Being Erased,” Renée Graham writes that Black History Month this year has a specific purpose and burden, “and that burden is not for Black people to bear alone.” The challenge, Graham notes, “is to save this crucial American history from being eroded book by book, law by law, and state by state.” We couldn’t agree more.
The Sunshine Pearl-Clutching Brigade is back on their BS and doubling down. Under Governor Ron DeSantis, Florida banned a new AP African American Studies course under the pretense that it’s “indoctrination” that “runs afoul of [their] standards.” This is almost a year after the Florida legislature banned the teaching of “the state-sanctioned racism that is critical race theory” with the Stop WOKE Act. It’s giving unwoke on numerous levels.
By James Baldwin | I first saw “The Exorcist,” in Hollywood, with a black friend of mine, who had his own, somewhat complex reasons for insisting that I see it: just so, one of my brothers had one day walked me into the film “The Devils,” which he had already seen, saying, cheerfully, as we walked out, “Ain’t that some shit? I just wanted you to see how sick these people are!” Both my friend and my brother had a point. I had already read “The Devils”; now, I forced myself to read “The Exorcist”—a difficult matter, since it is not written; then, I saw the film again, alone. I tried to be absolutely open to it, suspending judgment as totally as I could.
Talk about an affront to human life. In a bait-and-switch tactic to push the Right’s anti-immigrant message, FL Governor Ron DeSantis paid to send 50 migrants like cattle on an airplane from San Antonio, TX, to Martha’s Vineyard, MA. The migrants were told they’d land in Boston, where they could get expedited work papers. On top of that, hundreds of thousands of people across Puerto Rico are waiting for water and power to be restored after Hurricane Fiona knocked out power lines and collapsed infrastructure with massive flooding. A rough way for Hispanic/Latinx Heritage Month to start.
By Ricky Tucker | On July 29, 2022, our lordt and save-her, Beyoncé, released “Renaissance,” her long-awaited seventh studio album that, coming off its lead single, “Break My Soul,” promised to be redemptive to all of us who, in the past few years, have felt cast aside, if not full-on antagonized, by the powers that be, including that relentless microscopic militia known as COVID. That jerk . . . Anyhow, Beyoncé delivered. Us.
Nobody wanted long COVID on our collective pandemic Bingo card, but there it is. In her “The Daily Show” interview, OG disability rights badass Judy Heumann told Trevor Noah that the likelihood of his acquiring a disability, temporary or permanent, was statistically high. He took her statement as a threat in jest, but there’s truth in that for us.
This is not the time warp we want to do again. Or ever. The conservative-majority SCOTUS wants to take us on a detour back in time when folks who aren’t straight white cis men didn’t have rights. A time when we thought of the planet as nothing more than an ashtray. A time when . . . you get the idea. Overturning Roe v Wade was the lowest of blows. Gutting the Clean Air Act stripped power from the EPA to curb greenhouse gas emissions. What’s next?
By James Baldwin | The American idea of sexuality appears to be rooted in the American idea of masculinity. Idea may not be the precise word, for the idea of one’s sexuality can only with great violence be divorced or distanced from the idea of the self. Yet something resembling this rupture has certainly occurred (and is occurring) in American life, and violence has been the American daily bread since we have heard of America. This violence, furthermore, is not merely literal and actual but appears to be admired and lusted after, and the key to the American imagination.
With Ricky Tucker | As a writer who narrows in on very specific LGBTQ artists, collectives, media, embodied experiences, and sensibilities, I’m not the broadest or most Olympic-level reader. I read selectively, slowly, and with intent. And I absorb media like everything bears repeating.
A Q&A with Imani Perry | I believe that Lorraine is having a well-deserved extended period of recognition. I am also thrilled that “A Raisin in the Sun” is reportedly returning to Broadway in the fall. But I’m still holding out hope that her other work, especially “Les Blancs” and “The Sign in Sidney Brustein’s Window,” will be produced more frequently.
It’s raining men, and not the ones The Weather Girls sang about. They’re raining on Pride parades with violent intent. A U-Haul truckful of members from the white supremacist group, Patriot Front, was arrested before they could disrupt a Pride event in Coeur d’Alene, Idaho. Proud Boys stormed a Drag Queen story hour at a library in San Lorenzo, CA. Baptist ministers in Idaho and Texas went viral for calling on the government to execute gay people. Cancel all the hallelujahs for them.
Still kicking two years in, COVID brought out the worst from the nation’s populace: racist brutality against marginalized communities. This year’s Asian American and Pacific Islander Heritage Month commemorates the victims of the 2021 spa shootings as well as all other Asian Americans and Pacific Islanders lost to anti-Asian violence during the pandemic and throughout history. This violence is a form of erasure. As historian Catherine Ceniza Choy writes in her forthcoming addition to Beacon Press’s ReVisioning History series, “This positioning of Asians in opposition to American identity and experience is perhaps most powerfully expressed through the erasure of their long-standing presence in the United States and their contributions to its various industries.”
Bring out your flower bouquets and your brunch reservations! This Sunday is Mother’s Day, and we’re bringing the books to take you into the weekend and beyond. These books show how every kind of mother needs to be valued and supported in the catch-all societal stew we call the US. Mothers of color. Immigrant mothers. Mothers who become parents at a young age. Mothers separated from their families because of incarceration. Mothers challenging the medical establishment about misconceived notions of disability.
A Q&A with Raquel Salas Rivera | Not all my work is meant to be translated, but when I do self-translate, the flipbook is perfect for a bilingual edition. It doesn’t give priority to either language, and that feels truer to both my process and my readership. In many ways, my readers in Spanish and those who read me in English don’t always overlap but they do correspond, to borrow a term from Jack Spicer.
By Christian Coleman | He is hailed as a literary giant whose prolific writing career has made him a New York Times best-selling author. His novels include “The Master,” “The Magician,” “Nora Webster,” and “Brooklyn.” “Brooklyn” was, in fact, adapted as a feature film nominated for an Academy Award for Best Picture, so he has movie-vetted cred, too. Now we get to see Colm Tóibín flex as a poet in his debut collection, “Vinegar Hill.”
A Q&A with Terry Galloway | It’s a Hallmark film of a movie and, as such, has every Deaf cliché you can think of, including how hot Deaf people are in bed—although I’m inclined to perpetuate that myth. “CODA,” written by a hearing person and adapted by another hearing person, made the Deaf family the nominal villains: backwards, unthinking, unfeeling, selfish bumpkins. Until, of course, their hearing, singing savior of a child makes them see the error of their dumb ole Deaf ways.