By Atef Abu Saif | I hardly slept last night. For the last two nights I’ve managed to keep a kind of routine: dinner at 8pm, smoke a narghile till 9pm, catch up with WhatsApp messages till 9.15; call Hanna and the kids and talk to them till about 10.45, after which I’m ready to sleep. For two nights it worked. Last night, though, it didn’t. Read more →

By Christian Coleman | A Hispanic/Latinx Heritage Month unmarred by election-year drama would have been a miracle. No such luck in 2024. Not with anti-immigrant rhetoric regrowing its Hydra’s head when right-wing candidates take to the debate and rally stages. If that weren’t enough, Hispanic/Latinx Heritage Month started off with news that Jeanine Cummins will release new novel next year about the aftermath of a hurricane in Puerto Rico. Read more →

By Christian Coleman | And the category is . . . Challenged! Challenged as in a hair’s breadth away from being banned. For Banned Books Week, United Against Book Bans released the latest roundup of challenged books, and ten Beacon Press titles are on it! Tens across the board for each one strutting their red-alert stuff! Some are par for the rabid far-right course—Race and history and queers! Oh, my!—while others, indeed, will make you do a double take. Read more →

By Remica Bingham-Risher | I met [Sonia] Sanchez at the second Furious Flower Conference in 2004, where she performed with her band Full Moon of Sonia, and interviewed her a few years later. As we had just begun to get to know each other and I was a young mostly unpublished poet, I was surprised to be invited to a gathering at her house that first evening we sat together. At Sanchez’s party, there was food spread from end to end on a large wooden table; people filled the house and were almost as interesting and varied as the art stationed in every room. Read more →

Image credit: Bequest Just what does one do when the sun blazes and the humidity churns the air into chunky Campbell soup? Tell that attention-seeking season called summer “Thank you, but no thank you” and camp out by the A/C... Read more →

By Christian Coleman | Rainbow season is in full, fierce bloom, honeys! Take to the streets with your most fabulous fans and clack them with pride! Clack them to reflect, empower, and unite for queerness in all its joys and liberation! Clack back to the haters intimidated by queerness! Because this is your month. They all are, really. Read more →

By Remica Bingham-Risher | When I asked Forrest Hamer to autograph his books, I had never seen anyone so upset about such a small mistake. We were at the Callaloo Creative Writing Workshop where he was teaching and, like all the other students there, I became enamored with his work and unassuming nature, wanting nothing more than to spend the last few nights surveying his words. As he signed his books, he misspelled my name, and when I crossed out one letter for another, he apologized to no end. He held me there, despite the line forming behind us, repeating, “I’m so, so sorry about that. Names are important. Please let me take care of things.” Read more →

By Christian Coleman | “How do you teach a kindergartener about the histories and contemporary legacies of race and racism in a way that affirms her humanity and agency?” Dr. OiYan Poon poses herself this question in the introduction of “Asian American Is Not a Color: Conversations on Race, Affirmative Action, and Family” after her three-year-old daughter Té Té broaches the topic of race. An answer to her question could be found by turning to this year’s theme for Asian American and Pacific Islander Heritage Month. Read more →

A Q&A with Thomas Hitoshi Pruiksma | At a conscious level, when I’m in the process of writing, I don’t necessarily think about these things at all but I certainly do when I take a step back to look at the larger piece and revise and polish it. Then all the ways I’ve learned to read and all the things I’ve read offer themselves as exemplars and guideposts as I bring the work to its final form. Read more →

By Alana Lopez | One of the first ideas taught in my Literature of the Harlem Renaissance course last semester at Boston University was the concept of Harlem as a haven. In Claude McKay’s “Home to Harlem,” it was, as its name suggests, a motivating factor for its main character, like that of Ithaca for Odysseus. It was a hub of inventive and unorthodox expressions of self as shown by Louis Armstrong’s jazz or Gladys Bentley’s blues. For Rudolph Fisher, Harlem’s culture is familiar and, though often written off as a fad, rich with history and ultimately timeless in “The Caucasian Storms Harlem.” To James Baldwin, it is home and birthplace as well and, much like him, I’ve come to find that “home” and “haven” are vastly different things. Read more →

A Q&A with Amy Caldwell and Perpetua Charles | I’d worked with Ra Page, Atef Abu Saif’s editor at Comma Press in the UK, on a previous book, The Drone Eats with Me, which chronicled Abu Saif’s experiences on the ground in Gaza during the 2012 Israeli incursion. And then last fall, after the post-Oct 7 Israeli campaign and invasion of Gaza began, Ra reached out. I didn’t know Atef had been visiting Gaza on October 7, and it was, of course, distressing to hear. Read more →

By Mei Su Bailey | This year, Beacon Press is taking part in the nationwide celebration of James Baldwin’s hundredth birthday with the release of the James Baldwin Centennial Series! Originally published in “Notes of a Native Son,” these essay collections commemorate Baldwin’s legacy as an artist, an activist, a social critic, and a gifted writer. Read more →

A Q&A with Jaclyn Moyer | I wasn’t intending to write about the history of the organic farming movement when I started this project, but as I began to uncover my family’s past, I discovered that the origins of the organic movement, the development of modern wheat, and my own personal history intersected. And all three were bound up with colonialism. Read more →

By Christian Coleman | Sometimes it happens by trailblazing a path in a testosterone-choked arena. Sometimes it happens through organizing to demand the end of bias and discrimination from our lives and institutions. Sometimes it happens in the quiet of her personal life. And, of course, it happens through her writing. These are some of the ways empowered women empower women through history and today. Read more →

By Lauren Michele Jackson | The art world, according to itself, does not have a race problem. The art world does not allow itself to have a race problem. Were any one entity within the network of museums, galleries, shows, curators, schools, artists, press, and millions upon hundreds of millions of dollars that make up capital A Art to allow for race as a topic of debate, the whole enterprise might collapse into so much dust. For the art world to admit it has a race problem, it would have to account for its centuries-long history in which peoples of color have been regularly pushed from the frame of what constitutes artistic enterprise; meanwhile, their creations have long inspired European and white American artists who deviate from the norm. Read more →

By Christian Coleman | Remember when Janelle Monáe said Black women aren’t a monolith? Same goes for the Black diaspora, and yet the Grammys love plugging their ears and going La la la la laaaaa. This year, they did Black artists dirty yet again, snubbing them in the award for Album of the Year. Jay-Z is far from the first to call out their snubbery at the ceremony. They’ve also been called out for confining Black artist nominations in the rap/hip hop and R&B categories. Read more →

By Christian Coleman | Some are new, some are veteran crew. These are a handful of Beacon’s bestsellers of 2023! Let’s raise a glass of bubbly to the authors and to another year of bestsellers! Which ones were your favorites? Read more →

By Kavita Das | I remember a conversation I had with an editor at a literary magazine soon after I had transitioned from working in social change to becoming a writer close to ten years ago. I had shared with the editor that I was committed to developing my craft as a writer but that I was also committed to continuing to lift up social issues, even if I now would focus on addressing them on the page rather than in real life settings. I was floored by the editor’s response. Read more →

A Q&A with Alicia Kennedy | My awareness of all the ways in which eating meat intersects with systems and outcomes that I don’t agree with unfolded gradually. It was a very instinctual, spiritual conviction that made giving up meat feel both enticing (at first) and necessary (at last), and then the more cerebral reasons for why I was drawn to it came into focus. Read more →

By Jess Zimmerman | The first thing you saw when entering the Dangerous Beauty exhibit at the Metropolitan Museum of Art was a vintage dress from Versace’s 1992–1993 “Miss S&M” collection. Straps of quilted leather crisscrossed the throat and décolletage of a headless mannequin, each strap adorned with a dollar-sized brassy coin bearing the head of a howling Gorgon, a play on Versace’s usual logo of a placid Medusa face. The overall effect was oddly militaristic, a sort of four-star dominatrix look. Read more →