By Thomas Hitoshi Pruiksma | One of the most famous verses in the Kural is about the art of learning. What the poet Tiruvalluvar said in Tamil more than fifteen centuries ago is as relevant now as ever: 391: Faultlessly study what is to be studied—then fit All that you’ve studied I’ve always been struck by how Tiruvalluvar not only urges us to learn fully, leaving out nothing, but also inspires us to bring our lives and our studies into harmony. Read more →

By Priyanka Ray | In 2021, Beacon expanded our poetry program, adding both new and established poets to sit alongside the classic masters—including James Baldwin, Mary Oliver, and Sonia Sanchez—who have long been an essential part of our catalog. The series, Raised Voices, serves the overarching goals of raising marginalized voices and perspectives, publishing poems that affirm progressive values and are accessible to a wide readership, and celebrating poetry’s ability to access truth in a way no other form can. Read more →

By Sonia Sanchez | Dear Martin, Great God, what a morning, Martin! The sun is rolling in from faraway places. I watch it reaching out, circling these bare trees like some reverent lover, I have been standing still listening to the morning, and I hear your voice crouched near hills, rising from the mountain tops, breaking the circle of dawn. You would have been 54 today. Read more →

By Ricky Tucker | This portion of my July 26, 2020, interview with preeminent trans advocate, model, and icon Gia Love was pure joy for me on a lazy Sunday afternoon. She is a joy to be around, and accordingly, in the aftermath of a summer stricken with the murders of Black, trans, and Black trans people (which we discussed), I wanted to ask her about how she finds and leans into joy during these cruel times as a thinking and socially engaged person sitting at the intersection of those identities. Luckily, the concept of trans joy is central to her ethos, pathos, and logos. She also cast a spotlight on some of the limits of the not-for-profit industrial complex when servicing Black women of trans experience. Enjoy. Read more →

By Gabel Strickland | The proud subversiveness of a pirate’s lifestyle often makes them a heroic figure for the marginalized. For the politically, socially, and economically oppressed, pirates are a vessel (get it?) through which to see their own liberation, representation, and revolt against the powers that be. At sea, the enslaved can be free, the disenfranchised can vote, people can even create new identities—and legends—around themselves. Read more →

By Naomi McDougall Jones | For female directors fortunate enough to be working, they can expect the average production budget for their film to be smaller than those of their male peers. Film budgets shrink by 20 percent when a woman has the starring role due to untrue but enduring industry “common knowledge” that “no one wants to see films about women.” Since female directors are more likely to either choose or be given films with female leading characters, they disproportionately suffer from these smaller budgets that are assigned to such films. Read more →

By Remica Bingham-Risher | For a long time, I was making a list in my head of the writers who changed me, the ones I had to meet. I started planning too late and missed James Baldwin, who died when I was six. I hadn't yet been gobsmacked by his short story “Sonny’s Blues” then, but read my way through his whole milieu my freshman year of college. I met Toni Morrison (thank goodness) but didn’t get to ask her questions, flanked as she was by other booklovers. Who I regret missing the most is August Wilson, as lines from “Joe Turner’s Come and Gone” and “Jitney” still wake me up some nights. Read more →

A Q&A with Gayle Wald | It’s fantastic to see Tharpe getting all kinds of recognition, especially from young people and artists like Lizzo. I should also say that there are musicians and people in the gospel world who always cherished her, so the world is catching up with them. Read more →

All right. 2022 has been cute—in a We-Lumbered-Through-Yet-Another-Plague-Year kind of way—but now it’s giving shabby and dogged. That’s right. Time to sashay away and to do so with some grace and dignity. But before then, we need to give it up for our authors and staff who blessed Beacon Broadside with their words and insight. Read more →

A Q&A with Alexandra Lytton Regalado | For a long time, it was either the camera or the pen. If I managed to express myself visually, there was no need to describe it in writing. But now, I use both processes to dig deeper, although I haven’t been able to combine the two just yet; each medium still stands on its own. I carry around my obsessions, my questions, and when something nips at my attention, I spend a lot of time trying to unravel what it is about that image that has me hooked. Read more →

By Meghan Privitello and Abbey Clements | When a child hears gunshots, she will say Mom is beating the pots and pans. She will say It sounds like home. Let’s keep it this way; our children misinterpreting the sound of dying as a crude percussion. Read more →

By James Baldwin | I first saw “The Exorcist,” in Hollywood, with a black friend of mine, who had his own, somewhat complex reasons for insisting that I see it: just so, one of my brothers had one day walked me into the film “The Devils,” which he had already seen, saying, cheerfully, as we walked out, “Ain’t that some shit? I just wanted you to see how sick these people are!” Both my friend and my brother had a point. I had already read “The Devils”; now, I forced myself to read “The Exorcist”—a difficult matter, since it is not written; then, I saw the film again, alone. I tried to be absolutely open to it, suspending judgment as totally as I could. Read more →

By Helene Atwan | Gayl Jones, the highly acclaimed author who was first “discovered" and mentored by Toni Morrison has twice disappeared from our sight. The first time was after a stellar launch as one of America’s most daring and distinctive literary lights, after two brilliant novels (“Corregidora” and “Eva’s Man”) brought out by Morrison at Random House, and one slim but oh-so-astonishing story collection (“White Rat”), when she went into a self-imposed exile in France, from the late 1970s until the late 1990s. She and her husband had rejected the racism that surrounded them, and Gayl had made the decision to leave her job in academia and her very promising career as a writer, as well as her friends and supporters in the literary community, and live in Europe. Read more →

A Q&A with Aaron Caycedo-Kimura | My manuscript was originally named “What’s Kept Alive,” after one of the poems in the second section. This poem compares the keeping of a Japanese maple shrub alive to keeping my family’s history alive. The title captured the overall essence of the manuscript but lacked a certain punch. My amazing editor, Catherine Tung, suggested “Common Grace”—the title of one of the poems in the third section. Read more →

By Bev Rivero | To everyone’s delight, beloved ABC comedy, “Abbott Elementary,” has returned for its second season! The award-winning show has earned fans across every demographic and pulls off being sweet while still being grounded in the reality faced by staff and parents navigating the public school system. Read more →

Talk about an affront to human life. In a bait-and-switch tactic to push the Right’s anti-immigrant message, FL Governor Ron DeSantis paid to send 50 migrants like cattle on an airplane from San Antonio, TX, to Martha’s Vineyard, MA. The migrants were told they’d land in Boston, where they could get expedited work papers. On top of that, hundreds of thousands of people across Puerto Rico are waiting for water and power to be restored after Hurricane Fiona knocked out power lines and collapsed infrastructure with massive flooding. A rough way for Hispanic/Latinx Heritage Month to start. Read more →

A Q&A with Remica Bingham-Risher | I actually never contemplated writing a book of nonfiction. When I started interviewing Black poets I admired, I did imagine that one day, I’d compile all those interviews. But those would be testaments to the things they were doing in the craft; it wouldn’t have much to do with me. So, it’s interesting that, over time, all the things they taught me kind of melded into this hybrid text, but I couldn’t have imagined it for myself. I’m very grateful. Read more →

By Ricky Tucker | On July 29, 2022, our lordt and save-her, Beyoncé, released “Renaissance,” her long-awaited seventh studio album that, coming off its lead single, “Break My Soul,” promised to be redemptive to all of us who, in the past few years, have felt cast aside, if not full-on antagonized, by the powers that be, including that relentless microscopic militia known as COVID. That jerk . . . Anyhow, Beyoncé delivered. Us. Read more →

Nobody wanted long COVID on our collective pandemic Bingo card, but there it is. In her “The Daily Show” interview, OG disability rights badass Judy Heumann told Trevor Noah that the likelihood of his acquiring a disability, temporary or permanent, was statistically high. He took her statement as a threat in jest, but there’s truth in that for us. Read more →

It’s raining men, and not the ones The Weather Girls sang about. They’re raining on Pride parades with violent intent. A U-Haul truckful of members from the white supremacist group, Patriot Front, was arrested before they could disrupt a Pride event in Coeur d’Alene, Idaho. Proud Boys stormed a Drag Queen story hour at a library in San Lorenzo, CA. Baptist ministers in Idaho and Texas went viral for calling on the government to execute gay people. Cancel all the hallelujahs for them. Read more →