By Maya Fernandez | To know Ntozake Shange was a privilege. Like many Black women, I was first introduced to her brilliance in college when I read her choreopoem for colored girls who have considered suicide/when the rainbow is enuf and found myself in her words. As I immersed myself in her other written work, I learned that she wrote boldly with a heartbreaking and beautiful honesty that centers the stories and lives of Black people across the diaspora, and particularly, Black women and girls. She never dulled her experience or language for the sake of making a mainstream white audience feel comfortable, and instead, wrote plays, poetry, novels, and essays that affirmed Black lives, culture, and being.
The summer solstice has graced us with its yearly cameo. Time to bask in the warmth and light (and that charming humidity when it gets here) of longer nights! Which means more time to enjoy reading outside! Our staff has some recommendations for the season. Now, we know what you’re thinking: You already have a to-be-read pile that’s about ready to topple over and bury you up to your ears. But another recommendation won’t hurt. Trust us. After you’ve dug yourself out of your book avalanche, you’ll thank us later.
There’s nothing like cooking a good meal to bring people together. What better way than with the recipes in the late Ntozake Shange’s If I Can Cook/You Know God Can? Shange’s eclectic tribute to Black cuisine and culture is one of the first two books in our new Celebrating Black Women Writers series. This season, we launched this series to reissue and repackage timeless titles “to share essential voices with a new generation of readers in a celebration of Blackness, Black womanhood, Black women, and all the contributions they bring to the page,” as our editorial assistant Maya Fernandez said. Several of us got together to prepare some of the meals for a potluck lunch at the office. And reader, let me tell you: It was delicious! Here are comments from some of our staff about their experiences with Shange’s recipes.
As so many cultural leaders note in the tribute obituaries we’ve linked to below, Ntozake Shange was a completely original, breathtaking artist. From the time she embraced the name gifted to her by Ndikko and Nomusa Zaba, a name which meant “she who comes with her own things/who walks like a lion,” Ntozake Shange launched headlong into her program to electrify dance, poetry, and theatre. Even when her own movement became limited, she kept her focus and worked whenever she could. We were working with her on a book to be called Dance We Do: A Poet Looks at African American Dance.
If you’re not diving into the ocean at the beach this season, crack open those books and dive into summer reading! Sometimes you just need a break from the awfulness that has inundated the news and our social feeds. So. Fiction? Nonfiction? What’s your pleasure? We asked our staff members what they’re reading and what they’d recommend. You’ll thank us later.
By Maya FernandezI have always believed I’m Black. Both of my parents are Black, the majority of my immediate family identifies as Black, so essentially, I am Black. While race was a continuous topic of discussion in my household, colorism—discrimination or prejudice based on skin color—was left unattended. Similar to racism, colorism establishes a hierarchy in which lighter skin is treated with higher regard than darker skin. My father, a cultural proficiency consultant, made sure my sisters and I understood how society would see us as black women, but somehow forgot to give us the tools to navigate a world also plagued by colorism. It wasn’t until I stepped outside the comfort of my front door that I was fully able to grasp the concept of colorism.