Partly like the sun and partly like the air, the earth—just like a body if it had no bones. As if by veins it is held together so it does not crumble.
By Louis RoeLife as Jamie Knows It is one of the first covers I designed for Beacon, and still one of the covers I’ve presented the most ideas for (only a handful are pictured here). Michael Bérubé provides his reflections on raising his son, Jamie, who has Down syndrome, as his son transitions into adulthood. Several important moments in their relationship take place at a public pool, which is why I was drawn to a blue palette. I also wanted to convey a sense of peeking into this young man’s life and identity; he isn’t summed up by any single part of him, least of all an irregularity in his chromosomes. One of my favorite elements of this cover is a sample of Jamie’s art in the bottom-right corner of the cork board.
By Melissa Range and Tracy K. Smith: Each of the poems in Scriptorium is a marvel. What may likely strike you on the first read is Range’s remarkable facility with form. She moves nimbly, naturally, with comfort and acrobatic delight through the rigors of sonnets, villanelles, anagrams, cento, and the like. She submits joyfully to the whims of rhyme, allowing music to exert its will upon her train of mind, and she does so with such virtuosic ease that you may not even detect it on a first read. But what you will feel more than any of this, I am certain, is an urgent usefulness. These are poems for which form is not an end in itself.