A Q&A with Annelise Orleck | It felt right, and urgent, to return to the story of “Storming Caesars Palace” in these times, precisely because this political moment feels both so different and so similar to the time when the book was first published in 2005. Back then, our country was still living in the shadow of 9/11 and the militarist backlash that followed.
Whip out that #OscarsSoMale hashtag. This year, the Academy snubbed such filmmakers as Gina Prince-Bythewood, Maria Schrader, Sarah Polley, and Charlotte Wells as Best Director nominees. In “The Wrong Kind of Women,” Naomi McDougall Jones writes that this snubbery—read: discrimination—owes itself to “the film industry’s fetishization of the male ‘genius’ auteur filmmaker.” Must the patriarchy be so basic? At least Sarah Polley took home a Best Adapted Screenplay Academy Award for her film “Women Talking.”