By Christian Coleman | Come on, Barbie! Let’s go party . . . in your library! You’re about to become Bookworm Barbie and read the days and nights away. Don’t worry about Ken. He’ll be fine because he’s just Ken. Now that you’re in your self-discovery era, you’ll have lots of questions. Like why you’re in a blockbuster summer movie and how the film industry works. We got you. And everything you want to know about empowerment for women and girls, beauty (and health) standards, life in plastic in the real world, the patriarchy, and all the badassery in women’s history is in these books from our catalog. Each sold separately!
Whip out that #OscarsSoMale hashtag. This year, the Academy snubbed such filmmakers as Gina Prince-Bythewood, Maria Schrader, Sarah Polley, and Charlotte Wells as Best Director nominees. In “The Wrong Kind of Women,” Naomi McDougall Jones writes that this snubbery—read: discrimination—owes itself to “the film industry’s fetishization of the male ‘genius’ auteur filmmaker.” Must the patriarchy be so basic? At least Sarah Polley took home a Best Adapted Screenplay Academy Award for her film “Women Talking.”