Once upon a Gilded Age, Americans once treated Islam and Muslims with both fascination and respect. Hard to believe in our post-9/11 timeline, but it’s true. Swept by romanticized images of Muslims found in most popular entertainment at the time and Arabian Nights, thousands of Americans were enthralled by the Islamic Orient. Some, in fact, saw Islam as a global antiracist movement uniquely suited to people of African descent living in an era of European imperialism, Jim Crow segregation, and officially sanctioned racism. Some, like enigmatic circus performer John Walter Brister.
She led a sit-in to ensure protections for people with disabilities and laid the groundwork for the Americans with Disabilities Act. She’s calling on all of us to act radically to build a different kind of future for cinema—not only for the women being actively hurt inside the industry but for those outside it, whose lives, purchasing decisions, and sense of selves are shaped by the stories told. She’s proving how a groundswell of activism, led by everyday women, could create the incentives our political leaders need to change course and make affordable healthcare accessible for everybody.