Remember those minutes-long social media videos of folks quarantine clapping for frontline workers? And for the medical staff and carers looking after droves upon droves of COVID patients? Do you also remember that most of the ones getting the applause were women? If our global health crisis has made one thing clear, it’s how much we depend on—and take for granted—the recognized and unrecognized work women of all cultures do to keep societies going.
She led a sit-in to ensure protections for people with disabilities and laid the groundwork for the Americans with Disabilities Act. She’s calling on all of us to act radically to build a different kind of future for cinema—not only for the women being actively hurt inside the industry but for those outside it, whose lives, purchasing decisions, and sense of selves are shaped by the stories told. She’s proving how a groundswell of activism, led by everyday women, could create the incentives our political leaders need to change course and make affordable healthcare accessible for everybody.
Announcing the Oscars nominee lineup for best director with John Cho, Issa Rae threw the best shade at the Academy. “Congratulations to those men.” We feel you, Issa! In all the Oscars’ ninety-two years, only five women have ever been nominated for the award, Katheryn Bigelow being the only one to win it for The Hurt Locker. Yet Bigelow’s win was in 2009. Why were no women nominated for best director this year? Or perhaps the better question is how. How does this keep happening? Because it’s symptomatic of a much larger issue.